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1
Understanding Color
In This Chapter
Getting the essentials of managing color
Speaking the language of color
Mixing three hues into millions of colors
Choosing the right color mode for your image
Switching between color modes
I
n order to manage and correct color photos, you need to understand a few
things about how your digital camera, your computer, and your printer
handle color. The tools you use to create your photos capture and display
color in a consistent manner. Although not the most exciting aspect of cor-
recting an image for proper color viewing, the basics of color and how your
devices deal with color is an essential ingredient to producing better
color photos. In this chapter, we cover some essentials of color
that you need to know as you work through all the other
chapters in this book.
Understanding Calibration Basics
Throughout this book, we talk about working in a
good color-management workflow. Developing such
a workflow begins with the essentials — setting up
your work environment, getting your monitor in
shape, and using your color desktop printer properly.
In this book, we talk about some sophisticated measures
to help you best view, edit, and print color images. In some
cases, you may think that some recommendations and tips we
offer are a bit more than you want to do when you edit your own pictures.
If you’re not ready to change your work environment, you need to make some
decisions about what you can realistically do to prepare your environment
and your computer as best you can to effectively edit photos.
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Inhaltsverzeichnis

Seite 1 - Understanding Color

1Understanding ColorIn This Chapter Getting the essentials of managing color Speaking the language of color Mixing three hues into millions of colo

Seite 2

16Part I: The Basics of Color Editing Understanding channelsIn Photoshop Elements terms, the three hues your monitor displays (red,green, and blue) ar

Seite 3

Why are there 256 levels?This 256 number comes up a lot when talking about image modes. Whatmakes it so special?Reproducing tone on paper or a monitor

Seite 4

18Part I: The Basics of Color Editing color file sizes as small as possible. Computers couldn’t display 16.7 millioncolors back then, so monitors that

Seite 5 - Brightness

CMYKYou can’t edit in this mode, but Elements does allow you to open a CMYKcolor mode file that Elements converts upon opening to RGB mode so thatyou

Seite 6

20Part I: The Basics of Color Editing  Grayscale mode has far more editing options than bitmap mode. It’s bestto keep master files in grayscale mode

Seite 7 - Color gamut

8Part I: The Basics of Color Editing One thing to keep in mind is that the more preparation steps you cut out ofyour color-management workflow, the fa

Seite 8 - Mixing Colors

There you have it. Your first steps in color correction involve controllinglighting, calibrating your monitor, and having all the color profiles you n

Seite 9 - Understanding grays

10Part I: The Basics of Color Editing Figure 1-1: This simple color wheel shows red, green, and blue hues.The first thing you might question is the ye

Seite 10 - Understanding channels

The next color that might confuse you is blue. It looks purple, you say? Youalso might think that the cyan patch should really be called blue. Remembe

Seite 11 - Understanding Color Modes

12Part I: The Basics of Color Editing Figure 1-2: A green patch shown at different levels of saturation.Figure 1-3: These three cyan color patches var

Seite 12 - Grayscale

We repeat these color concepts a great deal in this book as we work our waythrough color management. Editing a file to change overall color, brightnes

Seite 13 - Converting Color Modes

14Part I: The Basics of Color Editing Suppose you took a picture in which the foreground subject is in the sun. Inthe background, your eyes see a beau

Seite 14

Figure 1-4: The Color Picker identifies a fully saturated red color.Understanding graysThe number of distinct settings you have for color mixing are c

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